抽象艺术设计.docx

第三集 1 00:00:06,440 -- 00:00:08,650 iOver the last two decades of working,/i i在过去20年的研究中,/i 2 00:00:08,730 -- 00:00:13,030 ione of the things Ive discovered is often things are made to fill voids./i 3 00:00:16,120 -- 00:00:19,990 iThe impetus to fill that hole with art, to me, is fundamental./i 4 00:00:25,250 -- 00:00:28,960 iMy canvas tends to be devoid of light./i 5 00:00:31,800 -- 00:00:35,800 iYou sort of do need to start without light to find it./i 6 00:01:47,420 -- 00:01:50,540 Heres my first question, and Ive been curious about this. 7 00:01:50,630 -- 00:01:53,880 Do you pronounce your name Ezz or Ess? 8 00:01:53,960 -- 00:01:58,840 I pronounce my name Ezz, because my name is short for Esmeralda. 9 00:01:58,930 -- 00:02:02,220 Often its perceived as being a mans name, 10 00:02:02,760 -- 00:02:07,770 so I do get reviews in Germany, which say, iHerr/i Devlins incredibly masculine work 11 00:02:07,850 -- 00:02:11,690 would have benefited from reading the feminine aspects of the text. 12 00:02:11,770 -- 00:02:14,360 So, its a useful, neutral little name, actually, Es. 13 00:02:14,440 -- 00:02:18,280 I find it quite handy. Its serving me quite well as a name. 14 00:02:26,080 -- 00:02:29,580 Every project starts exactly like this. 15 00:02:29,670 -- 00:02:34,340 Blank piece of paper, blank table, theres usually one other person there. 16 00:02:34,420 -- 00:02:38,590 iCould be a director, or a playwright, or the artist, if its for a pop show./i 17 00:02:39,180 -- 00:02:40,890 iAnd a conversation happens,/i 18 00:02:40,970 -- 00:02:43,810 iand Id normally just start drawing while were talking./i 19 00:02:44,310 -- 00:02:49,690 iSo, if I were to be having a conversation about my own practice,/i 20 00:02:49,770 -- 00:02:52,770 it would start with this one, 21 00:02:52,860 -- 00:02:56,360 with a little drawing of a pair of scissors on it. 22 00:02:56,440 -- 00:02:59,150 Cause you used to get those, and you still do, 23 00:02:59,240 -- 00:03:00,910 on the back of a cornfl