现代大学精读英语4 lesson four课文(外语教学出版社).doc

Lesson 4 A Drink in the Passage In the year 1960 the Union of South Africa celebrated its Golden Jubilee, and there was a nationwide sensation when the one-thousand-pound prize for the finest piece of sculpture was won by a black man, Edward Simelane. His work, Afican Mother and Child, not only excited the admiration, but touched the conscience or heart or whatever it was that responded, of white South Africa, and seemed likely to make him famous in other countries. It was by an oversight that his work was accepted, for it was the policy of the government that all the celebrations and competitions should be strictly segregated. The committee of the sculpture section received a private reprimand for having been so careless as to omit the words for whites only from the conditions, but was told, by a very high personage, it is said, that if Simelanes work was indisputably the best, it should receive the award. The committee then decided that this prize must be given along with the others, at the public ceremony which would bring the particular part of the celebrations to a close. For this decision it received a surprising amount of support from the white public; but in certain powerful quarters, there was an outcry against any departure from the traditional policies of the country, and a threat that many white prize-winners would renounce their prizes. However, a crisis was averted, because the sculptor was 搖nfortunately unable to attend the ceremony? I wasnt feeling up to it,?Simelane said mischievously to me. My parents, and my wifes parents, and our priest, decided that I wasnt feeling up to it. And finally I decided so too. Of course Majosi and Sola and the others wanted me to go and get my prize personally, but I said, 慴oys, Im a sculptor, not a demonstrator.挃 This cognac is wonderful, he said,especially in these big glasses. Its the first time Ive had such a glass. Its also the first time Ive drunk a brandy so slowly. In Orlando you develop a throat of iron