论国统区话剧创作的“自由”主题-中国现当代文学专业论文.docx

ABS ABSrI’!RACT ChiD龉e drama developped nlauue in 1940．s．the dramatists in Kuonfintangs reign during the wartime composed with modern drama as expressing emotion． showing lower galenvironment hloerty imagining under history and social e麟瓣t． The subject of hberty in纛I溺攘drama of Kmmintan蜘reign during the wartime had completed 8 sweep of mtioml h妇-ty and individml free conte缱． expanding the meaning from the跏rty having shown inWmi”individml hloerty, and the free problem having been埔erated Iom persoml hmerty to rise till entire mtion ratioml independence democracy．In the I℃spect of showing dynamics,the dramatists conflicting by嘟卺睡lg the all-directbn pe稻omge image and interposing multiple contradiction in war age to display the subject,and formed l 9．10ts Kuomintangs reign and the important area modern drama style characteristic：130Id and uncomtrained with depressed optimism characteristic．Rich human nature,mature drama shuctm-e and the contnd鳓n OalLOict becoming gradmlly acute had sUcngthened蠹∞subject behaviour dynamics．showing$∞Ite di岛臻曛蠡om coeval liberated area drama。and had boosted modern drama in the 40．s stepping into the mature development period． 儆thesis mainly扭lks about the dmmat晒in Keomintangs reign during the wartime by using the s噎§e畦of hberty,carrymg out an emiretys勰013@kind ol phenomenon,rewtmg the creating psychobgy,society culture and purpose value significance by conananding the co．ext．’n鹭dramatis招in this area had devoted simultaneously into”hbexty llttcrallf．e accepts to P癌ticiaze individual lice and rational democratic蠢∞to the common people．’疑馨dramatists hoped to bring about dtgn证y acception from u【妞l掰acceptbn in being brought into the constuction that oneself dignity戢嘲狮协．They Were in a dilemma of d卸hying thermelve and the community．Being One kind of sp破的nd and writing attitede,h”oerty缸this area became notonly霉topicofconversat／on,butalsoallopenpattemModerndramahe鞋 髓is free attitude and content遮bio脚h冀with the writer deriver-／with妇撼c￡iv蟹 definition and