毕业论文《浅谈古筝研究技巧的传承与沿革》.doc

PAGE 本科学生毕业论文 论文题目： 浅谈古筝研究技巧的传承与沿革 学 院： 艺术学院 年 级： 2008级 专 业： 音乐表演 姓 名： 学 号：指导教师： 2012 年 4 月 6 日 摘要 筝，起源于秦朝，盛于唐朝。最早见于司马迁的《史记》中，是一件华夏民族创造的弹拨乐器，有近三千年的历史。这件古老的乐器音色清丽柔和优美悦耳，表现清韵迷人风采多姿，赢得了众多知音。在其漫长的演变和发展过程中，这件乐器本身也得到了不断的发展完善，不管是外观构造，还是技法，都有了很大的改革和创新。从最开始的五弦，又经过九弦的过渡，最后到了战国末期发展成为十二弦，流传了八百多年。到了唐代，成为筝的鼎盛时期，发展到十三弦，形成了其独特的演奏风格与体系。正如唐代诗人吴融在《李周弹筝歌》中描述道：“五音六律皆生之，就中十三弦最美妙。” 关键词 弹拨乐器；发展完善；演奏风格 Abstract Zheng, dating back to the Qin Dynasty, Sheng in the Tang dynasty. The earliest found in Sima Qians historical records, is a Chinese nation created a plucked string instrument, has nearly three thousand years of history. This ancient musical instrument timbre soft melodious Qingli, colorful and charming performance, has won many friends. In its long evolution and development process, the instrument itself has been continuously improve the development, regardless of appearance or structure, techniques,there are a lot of reform and innovation. From the beginning of the five string, and after nine string transition, then to the late Warring States period into twelve string, spread over800 years. By the Tang Dynasty, become Zheng heyday, development to the thirteen string, formed his unique playing style and system. As the Tang Dynasty poet Wu Rong in playing the zither Song Li week describes : music is the most beautiful, on the thirteen string. Key words Plucked string instrument; development and improvement; playing style 目录 TOC \o 1-3 \h \z \u HYPERLINK \l _Toc289246435 摘要 PAGEREF _Toc289246436 \h II HYPERLINK \l _Toc289246436 Abstract = 3 \* ROMAN \* MERGEFORMAT III 一、筝的历史沿革与简介 HYPERLINK \l _Toc289246437 5 二、古筝演奏技法的探微 HYPERLINK \l _Toc289246438 5 三、筝演奏技法的特点 HYPERLINK \l _Toc289246469 6 （一）左手按·颤·滑等技法 HYPERLINK \l _Toc289246500 6 （二）右手（双手）刮奏，和弦音等技法 HYPERLINK \l _Toc289246501 6 四、筝传统弹奏技法的发展 HYPERLINK \l _Toc289246507 7 （一）传统的右手技法 HYPERLINK \l _Toc289246531 7 （二）传统的左手技法 HYP