三维水墨动画设计与实现——《雨后》材质与贴图---毕业论文.doc

本 科 毕 业 论 文 三维水墨动画设计与实现 ——《雨后》材质与贴图 Design and Implementation of 3D Chinese Ink Painting Animation ——Material and Mapping of “After the Rain” 姓 名： 学 号： 学　　院：软件学院 系：软件工程 专 业：软件工程 年 级： 指导教师： 年 月 摘 要 中国水墨动画曾以其特殊的艺术表现力在国际上辉煌一时, 这种中国特有的本土动画形式也取得无数的骄人荣誉。但自从中国动画创作走上商业化创作之路, 而传统的水墨动画由于其制作工艺的异常复杂, 耗费大量的人力物力，艺术创作脱离商业市场运作, 传统水墨动画近些年近乎绝迹, 中国水墨动画开始走入低谷。而三维水墨动画就将是一种能够把中国水墨动画带出窘境的数字与艺术完美结合的动画形式。 本文先从传统水墨画的角度出发，分析了传统水墨画的特点，水墨动画的诞生，以及三维水墨动画的发展；然后从理论的角度，以三维动画的制作流程为线索，阐述了三维水墨动画前期、中期和后期的设计与制作；在思考了三维水墨动画材质与贴图的实现方案之后，选择了3ds Max 8和Photoshop CS作为项目实现工具，并对3ds Max的材质与贴图作了简单说明；最后详细地描述了三维水墨动画《雨后》中所有角色的材质贴图的不同制作方法和具体实现过程，这些材质与贴图综合运用了位图贴图和衰减贴图的方法，使水墨的效果更逼真唯美。 关键词：三维技术；水墨动画；材质贴图  ABSTRACT Chinese ink painting animation art has its glorious moment in the international arena for its special art expressive. Not only that, but the animation unique to China has also made countless forms of impressive honors. But, since China animation on the road for commercialization, the traditional Chinese ink painting animation almost disappeared in recent years, and begins to go into a valley, because of its extremely complicated production process, a lot of manpower and resources, and the art creation from the operation of the commercial market. However, three-dimensional Chinese ink painting animation is a perfect combination with digital and art, which will be able to bring the Chinese ink painting animation out from dilemma. In this paper, we talk about the characteristics of traditional Chinese ink painting, the birth of Chinese ink painting animation, as well as the development of three-dimensional Chinese ink painting animation. And then, from a theoretical point of view, it formulates the pre-, medium-and post-design and production process about three-dimensional Chinese ink painting animation. After considering about the realization of the map and the mat