对5清明上河图6文化透析.PDF

4 4 V ol. 4 No. 4 2006 10 Journal ofX iÄan Eurasia U n iversity Oct. 2006 56 (陕西师范大学 历史文化学院, 陕西 西安 7 10062 : 56, , , , 。 、、、 , 。 : ; ; ; ; : J205 : A : @ @ @ @2@ @ @ @ ( 2006 0420040205 Th e cu ltur a l an a ly sis of a fam ou s an cien t C h in ese p a in t in g en tit led Q in gm in g Sh an gh e Tu SONG L i (H istory and C ivilization College , Shaanx iN orm a lUn iversity, X i. an 710062 , China Ab str act: Q ingm ing Shanghe Tu was drawn by Zhang Ze - duan in the N orthern Song Dynasty, which dep icts the scenery of the Bianhe R iver and the view on both sides of Bianj ing( cap ita l c ity of North Song Dynasty ofTomb - sweep ing Day . Not only does it have high artistic value, but also left a2 bundant visual historica l reference for descendants and it has great cultural value. The author of th is p a2 p er tries to find out the cu ltural va lue that it conta in from the purpose and m ean ing of creat ing, the los2 ing fem ale, we ll arranged socia l order, flourish ing advertisem ent cu lture and abundant city life etc. . K ey w ord s: Q ingm ing Shanghe Tu; Song Dynasty; wom en; advertisem ent cu lture; urban ism ¹ 5清 上河图6 是由北宋著名画师张择端所 5 匹驮炭的毛驴, 向城市走来。一片柳林, 枝头刚刚 画, 它描绘了北宋都城汴京(今河南开封 清 时节 泛出嫩绿, 使人感到虽是春寒料峭, 却已大地回春。 汴河及其两岸的风光。作者以全景式构图、严谨精 路上一顶轿子, 内坐一位妇人。轿顶装饰着杨柳杂 细的笔法, 展现了 12 世纪我国都市各阶层人物的 花, 轿后跟随着骑马的、挑担的, 从京郊踏青扫墓归 生活状况和社会风貌。此图不仅具有极大的艺术 来。环境和人物的描写, 点出了清 时节的特定时 价值, 也蕴含了不尽的文化价值, 历来倍受世人称 间和风俗, 为全画拉开了序幕。 赞。 中段, 繁忙的汴河码