中国当代水墨人物画现实主义表达及我的创作实践.pdf

目录

目录

摘要··························································································I

关键词·······················································································I

ABSTRACT···············································································II

绪论·························································································1

（一）选题缘由及意义···························································1

（二）研究现状····································································1

（三）研究思路与方法···························································3

（四）研究重难点及创新之处··················································4

一、中国水墨人物画现实主义表达的时代背景·································5

（一）现实主义绘画的范畴·····················································5

（二）当代水墨人物画的界定··················································7

（三）水墨人物画现实主义的缘起············································8

二、当代水墨人物画现实主义表达的多元性···································10

（一）时代性传达·······························································10

1．社会责任··································································10

2．立足生活，革新人物画的历史选择·································11

（二）多媒材融入·······························································14

1．摄影借鉴··································································15

2．没骨技法，花鸟素材的融入··········································19

（三）衍生与发展·······························································23

贵州师范大学硕士学位论文

1．都市水墨表现生活······················································24

2．水墨构成传达现实······················································27

3．实验水墨表达当下······················································31

三、我的现实主义水墨人物画创作实践·································