京剧欣赏须知)(Notes on Beijing opera appreciation)).doc
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京剧欣赏须知)(Notes on Beijing opera appreciation))
First, the charm of the stage stems from characterization
No matter what the opera actor plays, the central task is to play the part of the play well. Through the role of a variety of artistic figures, to reflect the theme, to convey a variety of different ideas and ideas. Although actors have natural and non natural points, for the characters are only creative means, can also be said to be material conditions.. For example, to appreciate a beautiful handicraft, people first evaluate the shape, color, structure and aesthetic value of Arts and crafts, and then ask what materials they use and what techniques they adopt. Appreciation of opera is also the reason, first look at the characters, then it relates to the actor who, how skills?. People do not talk about raw materials when they are making handicrafts. Similarly, it is impossible for people to leave the characters in the play and talk about the artistic skills of an actor. If an actor to play several identity, personality, experience different characters, only to give the audience a constant impression, namely people -- the actors themselves? So, the actor is good, after all is a failure. A famous actor in its natural condition (laodan, appearance, stature, voice etc.) are very good, but a poor old woman, she plays a game, give a person a kind of feeling out of character: Ai Tomi, radiant, meiqingmuxiu. Nature, art is not equal to the life, the more exaggerated features of opera art, no matter what kind of people will be on stage? However, the old womans facial features outline is beautiful, and even with the fashion model eye shadow Eyeliner be roughly the same. The face is also quite bright paint. The appearance and characters of the identity of the circumstances, be quite different. Not only that, say its eye show, the real refers to his eyes. A poor and helpless helpless old man, a play saw its eyes shining torch of God, which is not suitable to people at their m
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